Evaluation Essay

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The Arrival, Over, and Echo

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 The Arrival  Soundtrack:  Ambient, simplistic, realistic and emotive. Different sounds throughout the short              film affect how she thinks and reacts and causes the key changes in her thought process.   Plot = A mother to be is awaiting the father of her child and considering whether or not to abort the           baby. 3 act structure: setup, dissonance between aborting or not, vague and open ended ending                where we are left confused as to whether she will or won't do it. Cinematography = Simplistic and fixed presentational style. Camera starts outside the door and only gets a clear shot when let in, we then slowly approach her - verisimilitude, as if we are coming over to sit and talk to her. Allows the focus to be on the soundtrack and narration and subtle facial expression changes. The lighting is key, showing the anxiety and di...
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Themes and Influences

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 Themes:  - Broken Home / Divorce = Theme was inspired by oscar-winning films like 'A Marriage Story' and 'Revolutionary Road' Influences: - Cinematography = Influenced by the show 'Fleabag' for the emotional scene towards the end where Mike resolves that he is going to run away and starts packing his bags. The camera shifts from a fixed position to being hand-held, as if we are following him and a character in the sequence. This is similar to the end of S1 Fleabag when she is confronted with the truth by her sister and the audience learns it was Fleabag's fault that her best friend killed herself. -  Pacing = naturalistic and slow pace -  Performance and dialogue = as naturalistic as possible with wide inspiration coming from shows like 'Fleabag' and 'The Office UK', the dialogue goal was to meaningful through the mundanity rather than emotive over-dramatizations. Director of Office UK said he prioritized what isn't said over what is in ...
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The Ellington Kid

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                                                                                     Best Scenes: In my favourite shot (above) the lights are neon and the walls are white, the washed out colours make the Ellington kid stand out more + we can more clearly see the terror on his face. He is centrally framed to emphasise his expression and drawn our attention to him. The neon lights are symmetrical and further draw the viewers' eyes to the Ellington Kid. The final shot is equally great - A pan is used (instead of a cut/fade to black) to the kebab shop owner sharpening his knives. This builds tension as it makes the audience left in suspense as they await the reaction of the kebab worker and his smug smile in combination with the tension bui...
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